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As a fashion designer known for her architectural sensibility, it was only fitting that Yeohlee Teng was celebrated by a group of architect friends on Monday night.
Teng has recently redefined his career, planning to close the West 29th Street store, skip New York Fashion Week and take long trips to rejuvenate. On Monday, the longtime New Yorker was surrounded by well-wishers at the Century Society, a relic of a New York institution whose main event was dialogue. Many attendees wore pieces from the designer, who prefers to be called simply Yeohlee. With more than 2,000 writers and artists as members, the Renaissance-style private club was a favorite haunt of Mark Twain and the literary source of Edith Wharton, and its setting is also unique. suitable.
Architects such as Susan Chin, Calvin Tsao of Tsao & McKown, Hana Kassem, Wendy Evans Joseph of Studio Joseph, WXY Studio co-founder Claire Weisz, Andrea Woodner and Georgeen Theodore of Interboro Partners all showed up. Other civic-minded attendees included Fountain House’s Alexandra Herzan, Municipal Art Association’s Elizabeth Goldstein, Van Allen Institute’s Deborah Marton, investor Mary Mager Ritter Jones and Amy Howe of the Noguchi Museum. Garden designer Ken Smith, Priscilla McGeehon of Thames & Hudson, creative designer Matt Murphy, fashion designer Mary Ping and curator Harold Koda were also present.
“I’m interested in how people will dress in the future. [As for] Judging from what we wear, consume, make and waste now, those days are numbered. Now is the time to find new ways of thinking,” Yeohlee said.
When Marton asked about using recycled plastic in materials, the designer said she didn’t give it much thought or judgment. “People do what they do. Who am I to say, ‘Blah, blah, blah?'” she said. “My personal feeling is that the way we’ve been producing and the amount of clothes we’ve produced is over. It’s like a blank slate – I’m done. I don’t need to do this anymore. There are a lot of people like that. .I will not create this kind of waste.”
The United Nations Environment Program predicts that if no changes are made, the fashion industry will consume a quarter of the global carbon budget by 2050.
As the conflict between fast fashion and sustainability is only expected to intensify, Marton acknowledges that different values will bring about very different narratives. She praised John Galliano’s glamorous show in Paris last month, but said: “We have more important things to do. Of course, it was cool and the corset was beautiful. But that’s not important right now. thing.”
There’s no denying that fashion promotes a type of capitalism that constantly demands new purchases, Marton said, “and that has to stop. Yeohlee’s fashion style is not driven by capitalist values. You are Say, ‘This is about identity, form and durability.'”
“The most important thing is to use—to use,” Yeohlee said.
Marton added: “Shame on us if we don’t think that way. The trick is to advance those values without making it feel like it’s the end of the world. A lot of times, it’s about the feeling of the end of the world. It’s not said. We need to move forward in a positive way and stop being wasteful.”
Cao, president of the American Academy in Rome’s board of directors, described Yeohleee as “the woman behind making all of us decent. Now, we have to think about that before praising her for the balloon-shaped garment bag she made for a similarly shaped baseball jacket.” What, this garment bag is made by sewing opposite curves.
“Architects dress really interestingly because they understand what your clothes and curves do,” she said.
Referring to Weisz’s design for The Spring Street Salt Shed, Chau affirms: “It’s fashion, right?”
The architect said many fashion designers have been using these futuristic buildings for photo shoots. “It’s so refreshing to see a sculptural solution to a volume that might otherwise have been entirely pedestrian. You guys made everything beautiful – so thank you,” said Murphy.
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