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byron bay Located on the outskirts of the town, the Arts and Industrial Estate has developed into a lively center of activity in recent years and has become one of Byron’s most densely populated neighbourhoods. Car repairs, martial arts classes, dining options, yoga studios, surfboard designers, hair salons and various startups line four or five streets where traffic is severely restricted.
Completed in May 2023, with interior design by Sydney office Benn+Penna, Tasman Gallery occupies one such space within these industrial plants and presents itself as an experiment in work-life balance and flexibility.
The scheme’s diagrams are elegant. A spiral staircase connects the flexible open-plan ground floor with the more formal office spaces above, passing through the atrium and in dialogue with the native gardenias that are about to mature. Several skylights surround the atrium, and the steel structure frames a large white mesh wall that raises the railings to ceiling level. According to architect Andrew Benn, these elements are the visual anchor of the project. From the entrance to the entire ground floor, the eye is drawn upward.
Offices and workstations are pushed to the outer edge of the upper level, leaving a path around the space for circulation and allowing those working side by side to set the energy of the entire space.
The gallery concept began by configuring the interior space to support the exhibition of the client’s blockchain artwork – presented as static images within an ever-changing composition of wall art. Entrepreneur Alexander Komarov sees this captured moment reflected in his own work habits and those of people now attracted to the space in the current iteration of co-working. He talks about getting into flow and “deep work” as a means of achieving work-life balance in Byron, where people are never fully on or off.
As a result, the Tasman Gallery was transformed into a co-working space in November 2023, supported by the site-specific digital platform Byron Work Hub, but it was not quite a complete transition from one use to another. Artwork continues to appear on the walls Benn+Penna originally designed for them. But other projects are now being launched and underway in this area.
The interior now answers a question raised during the design process: What if the number of people working there keeps growing? The images of the Tasman Gallery tell a story of how the space evolved into other staffing configurations and ambitions.
Environmental quality was a major consideration in the project from the outset. The acoustic ceiling suppresses reverberation, as does the art print (also from Komarov’s NFT series), which is displayed on an acoustic buffer disguised as a canvas. The lighting has been carefully selected, with high-frequency LED bulbs reducing the negative impact on the senses of late-night work. Komarov believes that man-made environmental conditions do not necessarily prevent people from seeing moments of high productivity. Or hinder the choice of personalized work patterns throughout the day.
The request for a freer work-life balance is further reinforced by simple yet well-thought-out amenities, embedded in the foundation of the project: ample storage space to cater for the full activation of the space as a business incubator; showers and washrooms to accommodate Feel the allure of the nearby beach and the gyms and studios surrounding the gallery.
Regardless of how the Tasman Gallery is used in the future, its formal design elements such as the sculptural central staircase will anchor the dramatic spatial logic at the start of the project, around which anything could happen.
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