[ad_1]
Lusail Museum Architectural Design, Doha Qatar, Reimagined Architectural Development in Doha, Qatar Architecture Pictures
February 8, 2024
Architect: Herzog & de Meuron
Location: Doha, Qatar
Image courtesy of Qatar Museums.
Kada Lusail Museum Architectural Design
Qatar Museums today released new renderings and video of its future virtual flight Lusail Museumhas revealed new details about the building designed by Pritzker Prize-winning Swiss architects Herzog & de Meuron for a world-class arts institution and global think tank.
With its unparalleled collection of Eastern art, the Lusail Museum will explore the global flow of people and ideas past and present, helping to bridge a divided world through dialogue, art and innovation. With the participation of leading scholars, artists, policymakers, thought leaders, curators and others, the Lusail Museum will provide opportunities for high-level research, discussion, debate and mediation on key global issues. The design of the museum expresses the mission of integration and dialogue in the building, which is conceived as “a vertically layered open-air market, or a micro-city contained within a single building” that will become a cultural anchor for the city of Lusail, Luxembourg The city of Sale is now moving towards the sustainable development of the city of Doha in the north.
Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Chairman of Qatar Museums, discusses the design with Jacques Herzog in the inaugural episode of The Power of Culture, her podcast exploring the development of modern culture in Qatar, which First launched December 2023 In this episode, Herzog shares his approach to construction and the inspiration he drew from local materials and the historical significance of the site, which is close to the museum’s founder Sheikh Jassim Jassim Area built by Sheikh Jassim bin Mohammed Al Thani as his home in the late 1800s.
The museum designed by Herzog & de Meuron is located at the southern tip of the island and serves as the island’s physical icon. The plan’s circular form conveys both a universal meaning and a specific response to the architectural traditions of the Middle East and Doha. Three intersecting spheres shape and carve the building’s volume into two distinct parts: one like a full moon and the other like a crescent moon surrounding it. The double curvature from the sphere creates a crescent-shaped internal street, naturally lit from above; it serves to connect the museum entrance with the central hall and other public functions such as a library, auditorium, shop, café and prayer space.
The building’s appearance is rough, earthy, sandy and resilient, echoing its coastal setting. It looks like it’s part of the land itself. Daylight enters the interior spaces through deep recessed windows cut out of the exterior walls, protecting the interior from direct sunlight; the surrounding sea and the city of Lusail are always clearly visible.
Collaboration with local and regional artisans will ensure a direct link with the local vernacular and strengthen the scheme’s role in preserving historic trade and promoting cultural exchange.
Within the building’s solid concrete expression, spaces inserted as counterpoints bring different scales, material qualities and sensory experiences to visitors. A central sculptural polished plaster staircase, a reflective metal prayer space, a wood-paneled library, a soft and intimate auditorium and several upholstered and upholstered niches all feature a variety of tactile qualities and materials such as wood , textiles, metals and tiles.
Exhibition spaces on the gallery floors vary in shape and proportion depending on their location, but all provide flexibility for various types of exhibitions. Four abstract replicas from the interiors of important historical buildings are inserted into the top gallery floor as anchoring spaces: the dome covering the pavilion of Murat III’s bedroom in Istanbul’s Topkapi Palace (1579); the dome of the Jammeh Mosque in Natanz Dome (1320); the Baptistery Fountain in the courtyard of the Mosque of Ibn Tulun in Cairo (1296) and the Dome of Aljafaria in Zaragoza (1050); four domes with unique geometries and decorations related to their geographical heritage . Drops, cross arches, muqanas and angular corners are the defining geometries of the chosen dome type.
They are used to break up the order of the more traditional galleries and provide special curatorial and educational opportunities while providing unexpected spatial experiences. The dome was chosen as the architectural type for these four rooms, each room being both universal and particular at the same time; universal because the dome appears in different cultures at all times; and particular because The unique “ideal” form of the dome has changed through the influence of local geography and culture.
About Qatar Museum
Qatar Museums (QM) is the country’s preeminent arts and cultural institution, delivering authentic and inspiring cultural experiences through a growing network of museums, heritage sites, festivals, public art installations and programmes. QM protects, restores and expands the country’s cultural offerings and historic sites, sharing the arts and culture of Qatar, the Middle East, North Africa and South Asia (MENASA) with the world, enriching the lives of citizens, residents and visitors.
Under the patronage of His Highness the Emir Sheikh Tamim bin Hamad Al Thani and in the presence of the Chairman Sheikha Mayasa bint Hamad bin Khalifa Al Thani Under the leadership of His Excellency, QM has made Qatar a vibrant center for arts, culture and education. Middle East and beyond. Quality management is integral to the goal of developing an innovative, diverse and progressive nation, bringing people together to inspire new thinking, inspire critical cultural dialogue, educate and encourage environmental stewardship and sustainable practices, and expand the people of Qatar the sound of. Since its establishment in 2005, QM has managed the Museum of Islamic Art and MIA Park, Mathaf: Arab Museum of Modern Art, National Museum of Qatar, QM Al Riwaq Gallery, QM Katara Gallery and 3-2-1 Qatar Olympic Museum and Sports museum. Future museums include the Met, Qatar Children’s Museum, Qatar Automobile Museum, Art Factory Museum and Lusail Museum.
Through its newly created creative hub, QM also initiates and supports projects such as Firehouse: Artist in Residence, Tasweer Kada Photography Festival, M7 Creative Center for Innovation, Fashion and Design, and Liwan Design Studio and Lab, which foster artistic talent and create opportunities to build a strong and sustainable cultural infrastructure.
A genuine connection to Qatar and its heritage, a strong commitment to inclusivity and accessibility, and a belief in creating value through invention are part of everything the Qatar Museums does.
Herzog & de Meuron – https://www.herzogdemeuron.com/
Rendering: Courtesy of Qatar Museums.
Lusail Museum architectural design pictures/messages received 080224
Location: Doha, Qatar
New buildings in Qatar
Contemporary Qatari architecture
Qatar Architectural Design – in chronological order
Qatar Architecture News
Museum of Islamic Art ParkDoha
Architect: Ieoh Ming Pei
Museum of Islamic Art Park
Lusail Marina Shopping Center
Architect; Hawke
Lusail Marina Shopping Center
Bawa Financial DistrictDoha
Design: KEO International Consulting Company
Doha financial district buildings
Iconic stadium building in Lusail
Architect: Foster + Partners
kada stadium
Qatar Museum of Modern Art
Qatar National Museum
Qatar World Cup venues
Metropolitan Architecture Office
Comments/Photos Lusail Museum Architectural Design Welcome page designed by Herzog & de Meuron
[ad_2]
Source link