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“Who brought the handkerchief? It’s going to be a long night” Liz Diller Anthony Vidler said at the beginning of the memorial service for Anthony Vidler on Saturday, January 27, at Cooper Union University Hall. Vidler, a beloved professor, architect, author and former dean, died last October at the age of 82. The event was originally scheduled to last two hours, but instead lasted three hours, with tributes and tributes paid by a host of architectural luminaries whose orbits were linked to—or were initiated by—Tony’s scholarship and teaching.The meeting was attended by many prominent figures including Tom Mayne, Deborah Burkeeven writers and photographers Teju Cole.
Juliana BrunoThe Harvard professor recalled that Toni came to the Guggenheim SoHo for her book launch, and the Prada wave store that later became AMO. (Tony “loves his Prada clothes,” she said.) Bernard Tschumi I remember Tony’s lectures on Boullée, Ledoux and Lequieu at the Architectural Association in London in the early 1970s. Beatrice Colomina She recalled coming to the United States with copies of his papers, which were wrinkled from reading them so many times.
Peter Eisenman We are reminded that in 1960 he was Tony’s professor at Cambridge, and acknowledged that Tony helped add footnotes to Eisenman’s paper: Today, “you have to be very careful about who did what,” he admits.Later, Tony worked with Eisenman and Michael Graves on proposing a linear city for New Jersey that predated Superstudio and NEOM; worked at the Institute of Architecture and Urbanism; and edited opposition. Nader Dehlani Recalling the lunch after faculty meetings, there was a light salad and whiskey. (Later dates ditched the vegetables for sauce.) As dean, Tehrani thrives on chaos, while Tony avoids confrontation. The last time Tehrani visited Tony in the hospital, he still wanted to catch up on the latest gossip. He was eager to be a part of it. mary macleod Recalls how Tony encouraged her to enter the field of architecture and advised her on completing her thesis at Princeton University.
after, Spiros Papapetros Recalling how Tony wielded his tray in the hospital, serving as both a writing desk and a drawing table. Lydia Calipoliti First, the I ❤️ NY logo was modified like a meme, and changed to Vidler’s logo: I ❤️ TONY. She shared screenshots of the text about Utopia, ending with a funny video of Englishman Tony impersonating Scottish sociologist John McHale at a 2016 seminar.
Mark WigleyFinally, he spoke before Tony’s son Nicholas and wife Emily, taking the opportunity to add a slight sarcasm to the occasion. On this “sad holiday disguised as a synchronized celebration,” no one seems willing to mention the “envy, jealousy, and resentment” that fuel the work of architectural scholars. Referring to the three monitors behind him showing the same slide, the hall became “a small room trying to look bigger than it is, filled with little people trying to be bigger than it is.” Insulting this “full room” “Architecture speaks for itself” may come across as harsh, but Wigley claims that his actions were a way of expressing his love for Tony, a precious figure whose hidden interest in architectural discourse Think long and hard about something.
Next Thursday (February 1), Wigley will also host a 40th birthday party for La Villette Park, a park Tschumi designed and won the now-famous competition in 1983, at the Wood Auditorium in Columbia’s GSAPP Uptown neighborhood. The park opened in 1987, just before the architect became the school’s director. (He resigned in 2003.) Wigley, who succeeded Tschumi as dean, was more complimentary: He praised the embarrassingly successful park’s hospitality and called it “the invention of the Birthplace.” Nader’s Park”.
For this festive event, a series of cube cakes covered in red icing were placed in a darkened auditorium, each placed on a tripod and illuminated with clamp lights. There was food and drinks out front and club music played by a DJ. Event assistants wore custom T-shirts, and many guests wore red. The evening’s tribute was a full-scale presentation to Tschumi, who was sitting in the audience.Current Dean Andrés Jacques Starting with the obvious question: Which came first, the red scarf or La Villette? The project was influenced by George Bataille’s concept of transgression, although the politics of that era were different from ours. Still, enrichment can “expand the realm of possibility.”
Then came the tributes. Huang Mimi Recall the impact this project had when an ignorant undergraduate saw it. Michael Bell Betting on La Villette as “the largest building ever built” and quoting Foucault who argued that “freedom is a practice, not a form”. Steven Holl I remember seeing early drawings of Tschumi’s entry and providing blunt feedback: “If you don’t put more trees in the drawings, you’re not going to win this competition.” Reinhold Martin Wonder what the color red means and compare this project to the Eisenmann Memorial in Berlin. Mario Gooden Recalling a film of an architect suspended from a building in mid-air – “Bernard was not supposed to be an athlete; needs. Jing Liu I still remember the red scarf she wore when she was a child in China. Ratchaporn ChuchuyiGSAPP alumni share student memories of Tschumi scarf’s disappearance. Jimenez RaiComing from LA, elaborating on useless functionality. Jerome HarfordWhen Tschumi wins, he reminds us that he is no longer alive and challenges us to imagine new perceptions. What will happen to La Villette in the next 40 years? Galya Solomonov While working for Tschumi in the 1990s, she described a vacation when she walked into the office to get ahead, only to see Bernard attending a skit with headphones on and music blaring. (She ducks under the table and sneaks out before he notices.) Cheers and dance when no one is around.
Laurie Hawkinson Read Peter Wilson’s review AA file And compare it to another now-famous race win from the same year: Zaha Hadid’s The Peak in Hong Kong. Wayne Ickx Briefly read meaningless lines from Archizoom’s “No-Stop City,” an endless plan drawn up on a typewriter, and praise its drawings as symbols. Tschumi’s gift is that we can read things the wrong way, he said.Then Bart Jan Polman Reminiscing about silly modeling in Maya from his days as a student at TU Delft, before handing the microphone to his final boss: “With this, Bernard, the grid is yours.”
Tschumi – a man with white hair and a red scarf who was once a young activist and now an honorary dean – said he would not answer the question of why it was red. But he did say the goal has always been to make the city a hotbed of culture. As he was about to cut the cake, he paused with some drama to draw on the top, the tip of his pen turning red from the frosting. He then cut the cake into three layers, each with nine squares, or twenty-seven cubes. “I’m going to start with the most difficult part of the building: the corner,” he shouted before putting it in his mouth. To truly appreciate the architecture, you might even need to eat it.
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