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“My dear friend Maxine loves the first home I designed for my family. Whenever she comes to visit, she says, ‘When I buy another place, I need you to design it,'” Kenza shares road. “As she said, she bought another house and gave me a credit card. There was no formal discussion of the budget, but I had an idea because we were close friends. She left for a few months and was very happy when she came back. Love this place. She remains one of my biggest supporters.” The New York-based designer continues her passion for “creating more beautiful spaces that reflect each client’s creative taste,” and further designs bespoke pieces.
Architectural Digest: What obstacles have you overcome on your career path in this field?
Delia Kenza: There are many and I embrace them. This is part of the curriculum. However, my biggest hurdle is billing and how to price projects. I’m glad people pay me to do what I love; sometimes it’s easy to forget that this is a business.
From your perspective, what should the future of design look like? What changes would you like to see? What steps have you taken to realize this vision?
I want design to be less judgmental and more authentic. We have different lifestyles, different styles, and different budgets. A beautiful home is a home where life is beautiful and can take many forms. Also, I’m not much of a fan of fashion trends; design is like art to me. They say you should buy art you like, and the same goes for design: buy what you like. Often there can be too much of the same content.
What advice do you have for BIPOC who are interested in design but don’t know how or where to start?
I always say start. This might piss some people off. They might think I’m guarding some important information. but I am not. When I say start I mean it. Again, I don’t feel like I’m being judged. Start where you are, be willing to make mistakes, and be original. The world needs more authenticity.
Xiao Liyong
As the daughter of a modern dancer, thinking about space is deeply ingrained in Xiao Yongli. Naturally, this gave her a strong appreciation for how the combination of space, objects and nature can create beautiful environments, as well as a love of texture, color and pattern. Lee officially began her design career while a graduate student at Pratt. “Eric Daniels brought me into his architectural practice as an interior designer after graduation,” she said. “The late Hazel Seigel connected me with Architex and I was able to design textiles for them, and then he introduced me to SOM, where I continued working.”
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