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Andy Foster reviews a new book by Gill Hedley that explores the world of architects, clients and architecture in the early eighteenth century
Henry Flitcroft was an early Georgian architect. As the title of the book says, a Palladian architect. This makes him appear very contemporary for two reasons. The first is architecture. Palladianism has recently enjoyed a revival among traditional designers and their clients.
It was mixed with picturesque gestures and a rather loud Arts and Crafts revival in urban developments such as Poundbury and Dickens Heath. Eighteenth-century aristocrats were happy to live in ordinary London terraces behind elaborate classical doorframes, but now we need more personal expression.
In the country villa, however, Palladianism triumphed. The best-known recent example is Julian Bicknell’s Henbury Hall in Cheshire, which uses a centralized dome design and is a successor to Palladio’s Villa Rotonda The heritage of Villa Rotonda and Colen Campbell’s Mereworth Castle. But there are others, such as Quinlan and Francis Terry’s reconstruction of Kilboy House in Ireland.
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