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Lin Pan Cloud Eye: Chengdu Dayi Rural Neighborhood Center/Chuangmeng Architects
- area:
868 sqm
Year:
2022
Text description provided by the architect. In May 2022, the “Linpan Yunyan” rural neighborhood center was completed. It took 8 months from conceptual design to on-site acceptance. Dayi Yunshang Rural Neighborhood Committee covers an area of approximately 11,000 acres and is located in Qingxia Town, Dayi City. The engineering base is about 50-50 minutes drive from the Chengdu metropolitan area along the Chengdu-Wenqiong Expressway.
Renaturalize organic topography. The base is located at a fork in the road ten minutes drive from the resort entrance. The site runs north-south along the mountain. In the background is a stream flowing into the site from the east, surrounded by lush bamboo forests. For us, the first thing to think about is how the new space will integrate into the original landscape. We hope to create a landscape intention that is naturally integrated with the mountain, so we retained the natural bamboo forest on the site and opened up a small courtyard following the terrain and surrounding current conditions, stacked vertically, with one, two or two floors of activities. The space and the three-story observation deck are superimposed on each other, forming a parallel relationship with the back of the vertical cliff. The small courtyards are stacked vertically. The activity spaces on the first, second and second floors and the viewing platform on the third floor are stacked, forming a parallel relationship with the vertical cliff on the back. The small courtyard is then hidden in the bamboo forest and the mountain, just like the “forest plate” in western Sichuan. “, one house, one yard, one water and one shrub.
Sitting in the three-story courtyard, the mountain stream in the early morning is shrouded in clouds and mist. Through the fence, you can see the fields and hills in the distance, and the mountain scenery behind also seeps out from the raised hole. The roof forms a window for viewing the internal and external landscape, hence the concept of “cloud eye”. “Forest plate” is the concept of external space, blurring the boundaries between artificial and natural, while “cloud eyes” are the bridge connecting internal and external spaces, coming from nature and heading towards the mountains and fields.
The outline form originates from the undulating mountains behind, extending and folding along the vertical direction of the space. Geometric topology blurs the boundaries between “inside and outside”, “roof and facade”, “top and ground”, creating a sense of non-directional space. The roofs of the second and third floors were torn apart to form sunshades for the facade and terrace respectively. Through the overall geometric transformation, the relationship between “being seen” and “being seen” is defined. The ground floor entrance does not face the external road directly; pedestrians walk along the bamboo fence to the courtyard door. Here, the flowing roof serves as the entrance canopy, while the second- and third-floor outdoor terraces also overlap vertically in this space. Transitioning from the calm and soothing exterior space of the courtyard to the node space of the building’s entrance, the progressive spatial rhythm guides people’s gradual transition from movement to stillness.
Rural neighborhood centers integrate the two basic functions of cultural services and community health services. It is covered by a continuous roof system that creates a cohesive, point-like vertical layout. Three outdoor spaces are enclosed in the center: the entrance bamboo courtyard, the green courtyard that can accommodate community life and gathering activities, and the landscape terrace enclosed by the roof on the third floor. Affected by the rainy climate, traditional local buildings in Western Sichuan often have a large number of semi-outdoor walking spaces similar to “covered walkways” to protect them from wind and rain. This spatial typology also extends to the organization of circulation within the outdoor spaces connected to the community centre. Multiple passages connect the outdoor space and the building, and through large-area openings and overhead structures, the indoor and outdoor spaces are closely connected in line of sight and movement.
The community center integrates the coordination of three types of people flows: wandering, crossing and meeting. Its service targets include resort leisure and entertainment residents, nearby community residents, community center users, managers and other ethnic groups. Each group carries out different activities such as walking, gatherings, performances, reading, extracurricular tutoring, and training. While these individuals and activities have designated places and areas, they can also actively interact within an open and fluid spatial framework. Ultimately, our goal is for community centers to become social hubs that inspire public energy.
The first floor features significant elevated areas, allowing the building to hover above the bamboo forest in a suspended manner. The design extends the gray space into an outdoor courtyard surrounded by a low bamboo fence. Visitors sitting in the courtyard can easily overlook the pastoral scenery of the grassland in the distance. Compared with the first floor, the space on the second floor appears more restrained. The roof system on the second floor slopes downwards, creating an independent space for the community center. Viewing platforms on either side are also surrounded by forms, enhancing privacy. Both indoor and outdoor ceilings are made of hand-woven bamboo, bringing the material’s natural properties and exquisite craftsmanship closer to users, making the gathering space more comfortable.
The third floor serves as an open outdoor space, fully exposed to nature and the surrounding environment. This floor is open from north to south, forming a visual corridor. From the platform, one can experience the mountains behind the building and enjoy views of the creek and campground to the south. The natural frame formed by the surrounding mountains gives the feeling of not being inside the building but standing in the mountains. The traditional pitched roof is eye-catching, allowing for a closer look at the shape of the roof and the texture of the tiles. As users of the building, they can better experience an immersive environment surrounded by space and nature.
Non-local area. The roof structure system consists of three circular curved beams arranged from the inside out. The complex curvature changes make the traditional beam-column joints no longer suitable. The structural design of “Cloud Eye” adopts a design logic that conforms to the structural form. The shape curve is used to locate the corresponding three circular steel beams, and evenly distributed connecting beams are generated through digital means. Then, while ensuring accuracy, all curves are rationalized into straight lines, which greatly reduces processing costs. As a result, the roof sections form a unified structural cover. Both the internal and external facades are decorated with locally made bamboo woven fabrics, embodying the concepts of “materials” and “art”. This fusion incorporates bamboo weaving skills, a traditional intangible cultural heritage in Sichuan, and weaves humanities and art into a physical space. Natural local handicrafts replace traditional hard materials and are used to install interior ceiling surfaces and handrail surfaces.
Smart construction opens up new creative horizons for rural development. The “water wall” printed by a robot 3D serves as the central element of space division, transforming the dynamic and natural image of water into digital form. In the initial design stage, we used algorithms to capture the momentary dynamics of the stream when it was still, and then expressed this dynamic process through the architectural language of texture. The resulting folding texture is compiled into machine-readable code, allowing robots to complete the prefabrication of the wall panels. In this way, we have achieved a smart end-to-end process from algorithm-driven design to robot-assisted additive prefabrication construction.
While the project may be small in scale, it is the result of a huge effort by a large group of researchers and design implementers. We firmly believe that the integration of digital design technology, architectural tradition, and humanistic environment is the new direction of rural construction. In the creative process, we respect culture and nature, and seek a balance between “architectural form” and “natural form” within the framework of constructive principles. Based on technology and returning to nature, this is the recognition we hope to get through this effort.
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