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Richard Serra, 85, died Tuesday, March 26, at his home in East Long Island, New York.News of the classic sculptor’s death is confirm New York Times Serra’s attorney, John Silberman, said the cause of death was pneumonia.
Serra never formally practiced architecture, but architects followed his work religiously. Whether at MoMA or the Dia Beacon, the five-letter name “Serra” has become synonymous with heavy steel plates that twist and bend in incredible ways. His works decorate the entrances and plazas of famous buildings across the country and the world.
Serra and Frank Gehry collaborated on a monumental sculptural installation at the Guggenheim Museum in Bilbao. a matter of time, along with engineering wizard Rick Smith. Serra also participated, together with Peter Eisenman, in the competition to design the Holocaust Memorial Museum in Berlin. Serra and Eisenman co-designed the winning entry, but Serra left the project in 1998.”for personal and professional reasonsThis “has nothing to do with the merits of the project,” he said. In 2014, Serra became the first artist to receive the Architectural League’s Presidential Medal in New York.Recently, Sierra Working with Thomas Pfeiffer Installation at Glenstone Museum.
One of Richard Serra’s most controversial projects came in 1981, when his sculpture, tilt arc, commissioned by the U.S. General Services Administration (GSA) to be installed at Federal Plaza in Foley Square, Manhattan. The artwork, which consisted of a 12-foot-tall, 120-foot-long, 15-ton steel plate, was dismantled in 1989, sparking controversy. Serra’s work is nothing if not provocative.
Serra was born on November 2, 1938, in a working-class family in San Francisco. His mother was a Jewish immigrant from Odessa, and his father was a pipefitter in a California shipyard during World War II. The materials he used, mostly steel, left a clear impression on the late artist. By age 15, Serra himself was working part-time at steel plants throughout the Bay Area.
The artist studied for a year at the University of California, Berkeley, then transferred to the University of California, Santa Barbara. He later received a scholarship to study at the Yale School of Art. A traveling scholarship and Fulbright grant from Yale University brought Serra to Paris. It was there that he married Nancy Graves, a sculptor he had begun dating at Yale. It was also in Paris that he and Graves met Philip Glass.Serra held his first solo exhibition at La Salita Gallery in Rome, entitled live animal habitat.
Sierra and Graves moved back to New York, but their marriage ended in 1970. Serra subsequently proposed to video and performance artist Joan Jonas (Currently hosting a retrospective exhibition at the Soho Drawing Center).The year Serra divorced, he helped his friend Robert Smithson finalize the divorce Spiral Pier In Utah.Four years later, a controversy Laborer killed During the installation of one of Serra’s steel panels at the Walker Art Center in Minneapolis. The death was attributed to the negligence of the crane operator, who failed to follow correct rigging instructions.
Serra married art historian Clara Weyergraf in 1981, the same year he completed tilt arc. Federal employees and some members of the public reviled the sculpture, while art literati praised it.
tilt arc Four years after its completion, the Art & Architecture Storefront inspired an exhibition titled After tilting arcCurated by Thomas Finkelpearl, with participation from Michael Sorkin, Sanford Kwinter and others. Sorkin was mostly critical of this.exist twenty minutes to manhattansays architecture critic tilt arc “It enhances the alienating effect of an ugly modern office building and further orchestrates the march of office workers to and from get off work. It’s a physically abusive, hateful piece of art.”
Upon completion, a judge named edward ray campaign Remove the sculpture valued at $175,000. At a public hearing in March 1985, 122 people voted in favor of relocating the sculpture and 58 voted in favor of keeping it in place. Serra was furious: He said the work was site-specific, so moving it would completely change the work, and that he would remove his name from it after the move. “I don’t think the function of art is to please people,” he commented at the time. “Art is not democratic. It is not for the people.” GSA supersedes tilt arc There is a sculpture named triumph of the human spirit Written by Lorenzo Pace.Later, the square was Redesigned by Martha Schwartz Partners Includes a rotating set of park benches and manicured mounds.
In his later years, Serra increasingly entered into dialogue with architects, including Gehry, Eisenman, Pfeiffer, I.M. Pei and others. He also diversified his work by incorporating printmaking, film and video into his corpus. From the 1990s until his death, he commuted between homes in Manhattan, Long Island and Nova Scotia.
One of Serra’s largest works was created late in life East-West/West-East (2014) installed in the Qada desert. Four steel panels are installed in the gypsum sand landscape with their tops perfectly level with each other and aligned with nearby low outcrops. Hal Foster said the visit “reminiscent of the great era of geoengineering”. Serra himself was delighted with the work. “It’s the most fulfilling thing I’ve ever done,” he said. “This is something I really want to see.”
Serra is survived by his wife, Clara Weyergraf; one There are plans to follow up the news with a series of commemorative events.
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