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No matter how big a building is, architect Alberto Carracci has the ability to make it feel like a panoramic and timeless space. His management of different perspectives, indoors and outdoors, is brilliant.
For Karachi, creating buildings and gardens is akin to creating compositions in space, much like painting. His work features intersecting lines and seas of light, creating playful figures through impressive skylights. All of Alberto Carracci’s works invite the viewer to experience open and natural spaces. The Mexican architect has become an indispensable reference figure in the global architectural community and we must admit that he has had a significant impact on the construction industry.
In the 30 years since he founded the architectural studio Taller de Arquitectura X (TAX), perhaps the most beautiful aspect of his creative legacy is the natural oases in which harmony (aesthetic and practical) flourishes in his creations. Nature in Karachi design exists as a natural extension of space, often in the form of internal courtyards. In some of his buildings, such as the iconic Torre Constituyentes 41, nature becomes part of the space, like a living garden in a vertical landscape.
Karachi and taxes
Karachi mentioned that he knew he would become an architect as a child when his father gave him an encyclopedia in which he saw Fallingwater, a house designed by American architect Frank Lloyd Wright. ” illustration.
Born in 1960, he studied architecture at the Universidad Iberoamericana in Mexico City and later at Cornell University in Ithaca, New York. In 1981, at the age of 21, he founded his own (now famous) studio “Taller de Arquitectura X (TAX)”. In 1984, he won second place in the Grand Prix of the 71st Paris Exhibition at the Art Institute in Columbus, Indiana. A year later, in 1985, he won third place in the international design competition for the Museum of Modern Art in Bonn, Germany.
Today, perhaps his most famous project is the largest public library in Latin America, the Biblioteca José Vasconcelos, a stunning project that transports visitors to a future kingdom of knowledge, light and beauty. His work has been shown in important exhibitions; “Opera Bastille Project” at the Museum of Modern Art in Mexico in 1984, and landscape design work at the Hartle Gallery in New York.
his philosophy
Karachi is particularly interested in a number of key design elements; landscape, materials, structure, interaction with space and community, light, sustainability and social impact.
His efforts not only represent a significant contribution to the field of architecture, but also establish him as a visionary seeking to enhance architecture as a tool for collective evolution. Karachi authored Ciudad Futura as a master plan for the revitalization of the Mexican capital’s former lakeside city, offering reflections on the most effective urban solutions for Mexico City and strategies for restoring its lakes. Ciudad Futura was launched in collaboration with other renowned architects, including Teodoro González de León, José Manuel Castillo Olea and Gustavo Lipkau. Karachi further elaborated on his vision for Mexico City and published the Mexico City Atlas Plan in 2012, a similar blueprint for a sustainable future.
Recently, he has shown a tendency to use simple materials that are both ecological and aesthetically pleasing. Interestingly, Karachi rarely emphasizes his deep interest in sustainability, although some experts consider him an example of how to enhance environmentalism and integrate it into his plans. Perhaps, for Karachi, environmentalism is simply inherent in architecture.
“Ultimately, cities and buildings are located in a geographical, natural environment. The dialogue with place is crucial. The connection with the environment is the basis of architecture. All urban problems are related to the environment to some extent: over-exploitation of aquifers, The sinking of the entire city and the structural impact of this sinking…” Karachi spoke of his architectural values in an interview with the design magazine Gatopardo.
The extraordinary legacy of a living legend
Alberto Carracci’s versatility is undeniable. He is responsible for the design of iconic landmarks in Mexico City such as the “Constituyentes 41” and “Reforma 27” with their stunning gardens. On a smaller scale, he designed picturesque houses situated in natural surroundings, such as “Casa Pentágonos” and “Casa Wabi”. Karachi’s work also includes monumental and eye-catching works, such as the Underworld of José Vasconcelos Library, and unique hotels nestled in nature, such as in Puerto Escondido, Oaxaca “Casona Sforza” and “Hotel Terrestre”.
His work appears in publications Karachi’s reputation has grown and he is now renowned internationally for his skill in blending nature with modern architecture, and has won international acclaim for his sustainable and forward-thinking approach. Alberto Carracci leaves behind a rich cultural legacy as an architect, thinker, urban planner and painter who weaved together light, color, space and nature with a dexterity rare in his field.
Ana Paola de la Torre is a Mexican journalist and collaborator with several media outlets, including Milenio, Animal Político, Vice, Newsweek en Español, Televisa and Mexico News Daily.
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