[ad_1]
UMass alumna Cynthia Guild returns to campus on April 5 to give an artist talk. Gilder’s two series, “FABRICATIONS and DREAMS,” will be on view at Hampton Gallery until May 3.
Sally Curcio, associate director of Hampden Gallery, has been following Guild’s work since the 1990s because of the Guild’s presence in the community. This led Curio to bring in Guild’s art to showcase her most recent work.
Curcio said she and Gilder were excited to see what the two pieces would look like together, and the Hampton Gallery was the perfect space to do that.
Guild explains the use of technology in today’s world, from the significance of her work Fabrications to the origins of her other work Dreams.
“Something happened [Guild’s] We have jobs that no one understands,” said James Wilson, an innovation professor at Bay Path University.
According to Guild, her art is her world, but she’s also trying to figure out what that means.
When using technology, you have to criticize it, Wilson said.
“I feel like there are things that are alive, even though they look almost robotic,” Curcio said, referring to the connection between artificial intelligence and Guild’s work.
According to the Guild’s exhibition statement, her tower work expresses emotions brought about by the fear of state surveillance. However, “structure” represents mental and mechanical effort, or as Gilder calls it “the conveyor belt of the human brain at work.”
Gilder and her husband had a boat that they sailed up and down the East Coast. According to Gilder, her industrial works show objects she saw while passing through industrial parks, but only one was painted from memory.
Curcio feels as if the two series are connected through the use of surveillance, almost as if the more industrial one is monitoring the fantastical one.
Wilson said this work uses “a disconnect to show that there shouldn’t be a disconnect.”
Guild’s “dream” body of work was inspired by cameras photographed at ski resorts around the world using the Snoweye website. Gilder said she “could go there and visit them anytime, anywhere.”
Guild offers a unique twist on conventional landscape art, depicting features shown in the film in her paintings. She shows various items such as dates, boxes representing feed information, and errors where the feed may not be working properly.
Gilder likes to show traces of people’s participation, such as through ski lifts, however, she refuses to show people directly in her work, instead “expressing the human condition in a non-verbal visual language,” Gilder says.
Gilder uses phrases such as “natural beauty” and “the desire to escape” to describe her work in “Dream”. According to Gilder, she was “going for universality” and expressing feelings that she thought people could relate to.
Mia Blue can be contacted at [email protected].
[ad_2]
Source link