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Patricia Viel, architect, co-founder and CEO of ACPV architects Antonio Citterio Patricia Viel in Milan, sees her role as imagining the future through the careful design of the evolution of the built environment. Cities, including homes, restaurants, and offices. Her firm, one of the most important Italian architecture and interior design practices, aims to provide solutions to questions that may not have been asked and to create projects that focus on the urban, natural and social environment.
What do you hope people take away from your building or project?
In terms of what you might take away from our projects and buildings, I would have to say that each of them represents values that make sense in their specific context, by considering the needs of people in a specific place.
How can architecture and urbanism focus more on residents and culture? What advice do you have for young architects?
I must say I have a lot of faith in young people. In part, the question is what we can learn from them. The world has changed and is changing in very significant ways, and no matter how careful, humble and focused we are, our understanding of reality is limited in many ways. For example, young Italian architects have very advanced and diverse qualifications, a profession in which a multidisciplinary perspective is key: you must be able to talk to many different professionals and put yourself in the shoes of your clients. In order to address the overall complexity of a given project, digital design methods must be combined with a holistic and humanistic understanding.
Tell me about some of your significant architecture or interior design projects.
In 2020, we celebrated 20 years of this practice, an opportunity to reflect on our past. It focuses our attention on the values that guide our work as professionals, in this special period we are living in now, when our cities (like Italy and Europe) are changing and developing at an unusually fast pace An interesting exercise. In addition, last year we opened the Bulgari Hotel Roma, an important milestone in our long-term partnership with Bulgari.
What was your design approach to the interiors and exteriors of the Bvlgari Hotel Paris?
For the Bvlgari Hotel Paris, we were responsible for the interior design of 76 rooms and suites, including a 400 m² penthouse. We also collaborated with French architecture firm Valode & Pistre to design the hotel’s architecture and exterior. A key aspect of our project was to design with an architectural language that echoes the inspiring location of Paris’ Golden Triangle. It was intended to establish a stylistic continuum with the geometry of Haussmann Paris, its boulevards, its neat trees, and the Art Deco perspective of the Trocadéro facing the Seine. With its unique expression of brightness and purity, the Bvlgari Hotel Paris elegantly integrates the duality between bourgeois and bohemian identities.
When you first started designing a restaurant, what were your brief and most important considerations, and what was the overall main idea you were trying to achieve?
Our aim was to achieve a marriage between this unique Parisian identity and Bulgari’s Roman spirit and meticulous craftsmanship. The color taste, tone and aesthetics of the Bvlgari brand are translated into hotels and buildings, which are not just about creating trophies, but go beyond the architectural project itself to create unique experiences. The design has also seen a careful selection of materials, for example the choice of typical Parisian limestone, reinforcing the building’s relationship with the urban context.
How did you combine Italian design and French craftsmanship in this hotel?
It is really about choosing textures and colors that are characteristic of other Bulgari attributes: the use of silk wall coverings, lacquered eucalyptus woodwork, tapestries and granite are the defining features of the interiors that house the designer furniture. Italian design is enriched by a collaboration with one of the best artisan studios in France, which produces lacquer, parchment and straw marquetry in the style of the famous French interior designer Jean-Michel Frank. Therefore, in a sense, the Bvlgari Hotel Paris became “Sweet Life” and”La vie en rose”.
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