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Hattori Tenjin House / Akio Isshiki Architects
Text description provided by the architect. The way a child perceives space may be slightly different from the way we adults perceive space. That’s what I thought as I casually watched my client’s daughters play with their toys. There was no room for toy furniture in the red-roofed house, so they collected the protruding tables and refrigerators and placed them on the floor. Sometimes it becomes a restaurant under the blue sky, or a study room where children come home from school and do homework together. They also brought Legos and other toys, and the makeshift room continued to expand. It’s a family one-day home drawn by children who can’t read blueprints.
As adults, we have to stare at floor plans of side-by-side rooms, think about how many rooms a family needs, how much space should be in the living room, and find a floor plan that everyone can live in without any inconvenience. Paper floor plans approach us with no sense of reality, forcing families that have changed and will continue to change to live in two-dimensional plans.
I renovated an existing house that was 30 years old. The house is located at the end of a row of uniformly built ready-made houses. The narrow, repetitive facade seems to have a standardized floor plan attached to it, which reminds me of a dark and stuffy living space. I wanted to get away from this image, but considering the budget I thought it would be best not to make any major changes to the exterior and reuse the interior of the house as much as possible. Therefore, I came up with the idea of inserting a room (or rather, “blank space”) without a name or special function at the front of the house, running through three floors. In this way, through the separation of elevation and floor plan, I thought of creating a living space that transcends the two-dimensional order.
About 1/3 of the house area is used as empty space. The air passing through the atrium is filled with light, which falls between plants suspended from steel frames and trellises on the floor, gently enveloping the home. The boundaries between the empty space and each room are separated by things that are as blurry and transparent as possible, such as lace-covered shoji screens, curtains, glass and fully opened diagonal wooden doors. This fills the family’s life with gaps that correspond to daily changes and differences in the feelings of each family member. Outside the house I created a space vaguely surrounded by a bicycle parking area, covered with translucent canvas and a small garden. In this way, the empty space extends to the outside of the house, beyond the limits of facade and plan. I hope that this reborn house will create a free space for the family that cannot be imagined with a two-dimensional blueprint.
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